Showing posts with label Chanel. Show all posts
Showing posts with label Chanel. Show all posts

Sunday, 20 August 2017

Coco Chanel: Her best quotes of all time

Yesterday, on the 19th August, 1883, one of fashion's biggest names was born. Gabrielle Chanel, who would later go on to create a billion euro fashion empire under the name of Chanel, was born in Saumur France all those years ago, yet her legacy still lives on today. In a time when women had little to do with business, she defied all the odds and set up her own milinery shop, later expanding to women's clothes, accessories and famously perfumes. Her many love affairs, fiesty attitude, ability to predict trends and understanding of what women wanted to wear following the outbreak of two world wars have turned her into a legend, and a great role model for many women around the world. She was also very stylish, which always helps!

Chanel always had something to say, and was very good with her words. To celebrate her birthday I have rounded up some of my favourite quotes by the designer which like Coco have stood the test of time. Happy Birthday Ms Chanel!

"Fashion fades, only style remains the same."

"A women who doesn't wear perfume has no future."

"Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity."

"Dress shabbily and they remember the dress; dress impeccably and they remember the woman."

"In order to be irreplaceable one must always be different."

"A girl should be two things, classy and fabulous."

"Don't spend time beating on a wall expecting to turn it into a door."

"Elegance is refusal." 

"My friends. There are no friends."
  
I am not young but I feel young. The day I feel old, I will go to bed and stay there. J'aime la vie! I feel that to live is a wonderful thing.
Read more at: https://www.brainyquote.com/quotes/quotes/c/cocochanel414002.html
 "I am not young but I feel young. The day I feel old I will go to bed and stay there. J'aime le vie! I feel that to live is a wonderful thing."
I am not young but I feel young. The day I feel old, I will go to bed and stay there. J'aime la vie! I feel that to live is a wonderful thing
Read more at: https://www.brainyquote.com/quotes/quotes/c/cocochanel414002.html
I am not young but I feel young. The day I feel old, I will go to bed and stay there. J'aime la vie! I feel that to live is a wonderful thing.
Read more at: https://www.brainyquote.com/quotes/quotes/c/cocochanel414002.html


Tuesday, 4 April 2017

Feel the Heat with Chanel Cruise 2017

Seeing as I am going on holiday next week (to sunny Spain) I am very much in the holiday spirit at the moment. There's no ad campaign that will get you in the mood for summer than the Chanel Cruise 2017 season, inspired by Havana. Even though it was released a little while ago, I have only just fully discovered how atmospheric it is. The colours, the scenery, the styling, everything is just so beautiful. Shot by Karl Lagerfeld himself, the campaign features Mica Arganaraz in day time looks strolling along the beach or alongside a traditional doorway and Stella Tennant in stunning evening looks in dramatic monochrome. The whole shoot is breathtaking and extremely youthful for Chanel, which makes a nice change. See the ad campaign in all its glory below and feel the summer spirit of 2017.

See the Chanel Cruise 2016/17 show below (it's not one to be missed!)

Tuesday, 7 March 2017

3, 2, 1 Lift Off! Chanel Shoot for the Stars

Today Karl Lagerfeld brought a white rocket to his latest Chanel show. Never one to disappoint, the designer used the giant missile as a prop for his line up of models to walk around as they journeyed down the catwalk in space age styles. Metallic dresses, shiny foil shawls, white boots with the classic black toe cap, tweed suits in grey, white and black tones... this collection was subdued (compared to the Couture show in January) and very cool. There were still all the Chanel-isms present, such as the quilting, heavy costume jewellery and loose, shapeless silhouettes but this show was definitely targeting a younger client. It was also refreshing to see a number of menswear looks on the catwalk, as Lagerfeld never usually mixes mens and womenswear together. This season it seems, he has a change of heart. From the silver headbands models wore pushing their hair back in a 60s beehive style to the casual bags which were slung across the body, Chanel Fall 2017/18 was fun yet sophisticated. We expect nothing less from Chanel.

Bella Hadid on the Chanel catwalk - note the amazing eye make up.

Gigi Hadid sports a beehive with classic hounds-tooth jacket

Tuesday, 24 January 2017

PFW: Chanel Haute Couture 2017

In the Grand Palais Karl Lagerfeld delivered his latest Haute Couture collection for Chanel. Following on from Maria Grazia Chiuri's spectacular Dior couture show yesterday along with the evening masquerade ball hosted by Dior, Chanel had a lot to live up to.

Lagerfeld opened the show with a handful of pretty tweed suits, a tribute to the current Jackie movie perhaps, which came belted at the waist. Chanel and tweed are synonymous with each other but there was something about these suits which just felt fresh and new. I loved the cute neckties and boater hats which were paired with them. But it was the stand out pieces at the end of the collection which were really beautiful. I'm not usually a fan of Chanel's version of red carpet dressing, but so many of these dresses would fit right in at the Oscars next month.They were beautiful and the craftsmanship was second to none. Sequined empire line dresses decked with feathers at the hem and on the arms, deep v-cut gowns with material tiered around the skirts, le pouf skirts with glittery Mary Janes...everything just looked so stunning paired together.

The waist was really highlighted with belts drawing in draped fabric in soft pleats while the baby pink, lime green and silver tones all worked together seamlessly. All the models, which included Arizona Muse and Bella Hadid looked simply divine with their hair carefully swept to the side and pinned back from the face, which had minimal make up too. Lagerfeld's message was simple - this show was all about the clothes. As the last looks came out onto the tiled runway, Lily Rose Depp stepped out in a giant pink, frilled gown which was slightly shorter at the front and trailed across the floor at the back. If there was one look that summed up the show, it was that one. As Lagerfeld came out to take his bow, Lily Rose by his side, the Grand Palais erupted into jubilant applause. In my opinion, this was one of Lagerfeld's best couture collection ever.

Tuesday, 4 October 2016

Karl Lagerfeld takes Chanel into the future and beyond...

Welcome to the Chanel data centre. Here you will find what the future of fashion will look like, in the mind of Karl Lagerfeld. Expect tweed, but with an urban twist complete with baseball cap, lingerie as your go to item for day wear and plenty of prints, colours and fabrics contrasting against each other. It's fair to say that the Chanel Spring/Summer 2017 collection was extremely modern, up to date in this madly obsessed digital age in which we live in.

Set in the famed Grand Palais as usual, the Chanel set was transformed into a data centre with wires, switches and coded messages surrounding the catwalk. The show opened with 2 models, their identity is still unknown, wearing cyborg outfits. Yes, there really were white helmets, plastic gloves and shiny shin pads, worn with contrasting classic monochrome Chanel suits. If anything they looked more like stylish storm troopers who had escaped from Star Wars, than cyborgs. Arizona Muse followed this weird spectacle, in a blue and white tweed jacket worn over a light pink slip dress. All the models wore little white, lace up shoes as though they had stepped out of a space centre, but the clothes were anything but futuristic. Lagerfeld featured tweeds prominently, more so than we've seen in past collections. The fabric was everywhere in an array of different colours, but mainly consisted of jackets varying in length.

Towards the middle of the show, loud prints were used on floaty silk dresses and matching top/short combos, but it was the more refined pastel pink and nude tones which I really liked at the end of the collection. The classic Chanel costume jewellery was layered over slips and silk skirts, with longer robes worn on top. The all white outfit Lindsey Wixon wore was a particular favourite. Of all the 80 something looks, there were so many wearable pieces compared to last spring/summer 2016 which made you wonder how anyone could possibly look good in what Lagerfeld sent down the catwalk ie. A pink, moth holed pair of trousers.

The whole thing made you contemplate the future of fashion and what will be the norm in years to come. Will the Chanel suit still exist? And what will the word 'timeless' mean when describing fashion piece? What will we be wearing in the year 3016? If King Karl has any say in this, we'll all be wearing tweed.

Wednesday, 6 July 2016

Paris Couture Week: Valentino, Elie Saab, Chanel and more

VALENTINO
Missed any of the couture shows from Paris fashion week? Take a look at some of my highlights from the best shows over the past couple of days. From Valentino's medieval heroines, Chanel's master craftsmanship and Armani eternal elegance to the very cute mini me's seen at Elie Saab; there were so many great moments with plenty of beautiful dresses on show. Enjoy...

ARMANI PRIVE

ZUHAIR MURAD

ELIE SAAB

 CHANEL

Tuesday, 21 June 2016

Why Keira Knightley is the creme de la creme for Chanel

It was announced yesterday that Keira Knightley is the new face of Chanel accessories, modeling the fashion house's fall 2016 collection. For me, like Vanessa Paradis or Audrey Tautou, Knightley is the perfect ambassador for Chanel. She may be British and not quintessentially French, but she has the beauty, elegance and poise to carry off practically anything Karl Lagerfeld throws at her.

The collection of fine jewellery, aptly titled 'Coco Crush' was shot by none other than Mario Testino, with more photos set to be released into the fall season. Keira is seen in the campaign wearing a chic black knitted top paired with a quilted skirt while posing on a chair, head propped up by a perfectly manicured hand. She is of course, decked out in jewellery, from the chunky silver bangle, to the gold necklace, stack rings and black silk headband, while her smouldering eye make up compliments the nostalgic mood of the photo - very Mario Testino.

Keira Knightley has been a Chanel ambassador and muse to Lagerfeld for the past 10 years, first cast as the face of their iconic Coco Madmoiselle perfume in 2006. She went on to appear in numerous adverts for the brand, as well as the official face of their cosmetic range. Fast becoming famous friends with Lagerfeld, the designer created her 2013 wedding dress and has spoken of his admiration for the actress. "She had the least pretentious wedding ever. The whole thing was relaxed. I think it's perfect. After all, they lived together for quite a time. It's not as if she is a young girl of 18 who sees the husband for the first time. She is not a country girl. Yes. I liked the light-heartedness of this wedding."

In response, Knightley has only the highest of praise for Lagerfeld. "Karl’s amazing," she told Harper's Bazaar. "He's an avid reader. And he speaks about five different languages. So he’ll be rattling English to you and French to somebody else, and German to somebody else, and then the phone rings and he's speaking in Italian." She regularly dons a Chanel gown while working the red carpet, with my personal favourite being the beautiful white tulle mini dress she wore at the premiere for The Imitation Game. When attending Chanel catwalk shows too, Lagerfeld picks out only the best dresses for Knightley. "I work well with her," he gushed. "Very easy. Keira has zero problem in her way of behaving and she knows everybody."

Not yet convinced that Keira Knightely is indeed the creme de la creme for Chanel? Take a look through the photo gallery before and see some of her most spell binding Chanel outfits.

Tuesday, 8 March 2016

PFW: Chanel and Valentino lead the way...

 
 
Chanel
I really enjoyed this Chanel show. For autumn/winter, Karl Lagerfeld took things back to basics, without all the eccentric catwalk sets, gimmicks and celebrity fanfare we have come to expect from Chanel. Models weren't walking around a supermarket or emerging out of an underwater kingdom, instead the likes of Kendall Jenner, Lindsay Wixon, Gigi Hadid and Anja Rubik just simply walked down a plain white runway. All emphasis was placed on the clothes which were classic Chanel in every way. There were very strong equestrian themes throughout with all the leather boots, flat top hats, gloves and strings of pearls. The Chanel suit was given a fun make over in hot pink and denim blue, yet the simplicity of beige and monochrome helped add some normanilty to what was a steady show.
 
The puffa jacket made an appearance as did a long khaki coat - 2 trends which have popped up at most PFW shows, while Lagerfeld looked back to the brands heritage around the 1930s with formal suiting and pretty shift dresses, all in classic tweed. I loved the layered silk dresses at the end of the show which came with black collars and belts cinching in the wasit. I also loved the contemporary feel of the whole show, as it was such a breath of fresh air from a very established brand.
Valentino
This wasn't one of my favourite Valentino shows (I am still in love with their Couture show from last year) but it was still beautiful. When Maria Grazia Chiuri and Pier Paulo Piccolo emerged onto the catwalk to take a bow at the end of the show, they were both beaming with happiness. And with good reason too. These designers know how to do elegance, with dresses which look amazing on and off the runway. I loved the nude, sheer pieces towards the end of the show as they radiated elegance.

Jewels came encrusted onto strappy shift dresses, halter necked chiffon gowns looked as light as a feather while layers of black net sweeping the floor on other gowns. This ending was a stark contrast with the first looks of the collection which were all black and very formal, with knitwear and boxy coats making a statement. A bright yellow dress in the middle of the show broke things up a little bit while the looks that followed just kept getting more and more decadent.

Wednesday, 27 January 2016

Paris Couture Week Highlights

Elie Saab
Where do I begin with this show? Everything about it was just so perfect, magical and amazing. Paying homage to India, this show featured heavily embellished draped scarves across the body and dresses, silk veils and plenty of asymmetrical layering. There was also a modern Victoriana twist, with classic period costumes given a 21st century make over, just take a look at what Mica Arganaraz was wearing.  All the models looked like princesses with silver a headpiece on their head, wearing such beautiful creations each.

As for the final bridal dress, it was Indian inspired and divine. Based on a traditional sari, silk was tucked into a slim belt and then fell down covering the floor. The train was long and full of layered silks to fill it out more everywhere you looked it sparkled in the catwalk lights. Who knows how much this dress would cost, but I can assure you for one lucky woman it will be worth it.
Chanel
Karl Lagerfeld, who I still can't believe is 82, is always a big talking point of any Paris couture week. This season he went all eco friendly with his wooden set, promising to recycle the whole thing and invited a very green Gwyneth Paltrow to his show. Before the show even started, Cara Delevingne caused a stir when she brought her dog Leo along with her, who sat very well behaved next to her and a rather bemused Carine Roitfeld. And then once the show started, all anyone could talk about afterwards was the Kendall/Gigi/Bella trio who appeared in the show. Now I'm all for them modelling for Chanel, but really there are more important things to talk about such as the clothes, not a bunch of reality tv stars.

It was a classic Chanel couture collection. The tweed suit played a huge part in varying lengths and colours as did the famous bouclè suit, made iconic by Coco Chanel. Gold was used to maximum effect with flecking on skirts and jackets and accessories to, while large shoulders and slim fitting 1920s silhouettes gave the whole thing an elegant, refined finish. Shoes with wooden soles were the only Eco link to the set, as the rest of the collection was a mix of evening wear and very luxurious day wear. I could sense a certain Abu Dhabi feel to the clothes, as the richness and simple colours used were very 'Sheikh.' Capes were casually thrown over bare shoulders, bum bags baring the Chanel logo were placed centre stage and large square pockets were adorned onto long cardigans and jackets. My favourite piece had to be the slim fitting white dress with a high peplum and gold fastenings. You can't help but appreciate the beauty that goes into a Chanel collection. Magnificent.


Armani Privè
Giorgio Armani always sticks to the same colour scheme... and it works. Soft lilacs, deep velvets, midnight blues and silver metallics were used throughout this elegant collection much like many of his others, which was an absolute delight to watch. Models strolled down the runway, complete with softly waved hair a la Veronica Lake, and purple ankle boots. It was all very dreamy, and many of the dresses were clear contenders to make an appearance at this years Academy Awards such was the beauty and layers of sumptuous fabric. Silk Trousers came with pleats along the outside of the leg, ruffles were used to full effect adorned on dresses while transparent materials were casually strewn across beaded tops.
Ralph & Russo
Wow! That was the only word I could utter after seeing the finale of the Ralph and Russo show. Isabelli Fontana majestically swept down the catwalk wearing one of the most embellished and breath taking wedding dresses I've ever seen, with floor length sleeves and a huge train. It was simply stunning and well worth the applause that erupted at the end of the show.
The rest of the collection was very R&R, with a strong emphasis on form fitting shapes and eccentrically feminine pieces. I loved the monochrome floral cocktail dresses as well as the pretty purple pieces, similar to the soft colours used by Armani in his couture show. This design duo know how to do couture like no other, and this confident, spell binding collection was incredibly beautiful. Probably my favourite show so far of Paris Fashion Week - I want every piece.
Giambattista Valli
Usually this designer is one of my favourites of couture week. But even though there was no mistaking the beauty of these clothes, they just didn't have the same pizzazz and wow effect that Giambattista Valli usually has on me. Nevertheless, the embellished mini dresses were intricate and clearly made with such close attention to detail. Ruffles appeared on pinafore dressed, with embroidered flowers while the more dramatic looks in black were very grown up. As always at the end of a Valli show, all the huge ball gowns descended onto the runway in bright popping colours. It made an impact but it wasn't amazing, and I expect amazing when watching a designer with so much history and depth to its fashion house. It was still a wonderful collection, which will make Valli clients very happy.

Atelier Versace
Kicking off proceedings on Sunday evening was a touch of Italian style with atelier Versace. Donatella certainly called in some big names to walk in her show, including Gigi Hadid, Irina Shayk, Natasha Poly, Lara Stone and Rosie Huntington Whiteley. As for the clothes, it was all very Versace. Cut out slip dresses which fell to the ground, intricate ropes which held together barely there mini dresses and splashes of bold neon brights on white pieces. Glamour and sophistication is what Donatella does best, and this collection certainly wasn't lacking any of that. I loved the electric blue dress worn by RHW which had an extremely high split, as well as the sultry hair and make up, consisting of dark eyes and a glowing complexion. Another fantastic Versace show with enough sex appeal to last a lifetime.
Christian Dior
The big talking point had to be Dior this couture week. Who is going to take over now    Raf is gone? What would the clothes be like? What is the future of Dior? Well, we still don't know who the new creative director will be, even though Sarah Burton has been heavily tipped to take the helm, but this Dior show still had a very strong sense of Raf Simmons still present. Dropped shoulders gave way to lovely folds of fabric, luxurious layering of tops over skirts, beautiful black lace dresses with plunging v necks and lots of embellishment made this a stunning Dior collection to remember. White was a key colour throughout even though black was used for a bit of drama. I thought the whole show was beautiful and very much what we have come to expect from Dior during the Raf years. The 2 young Dior designers who put this show together should be very proud of themselves.